|
Picture
study is art
appreciation. Charlotte Mason taught that the training
in styles and schools of painting and various techniques are important,
but "the first and most important thing is to know the pictures
themselves. As in a worthy book we leave the author to tell his own
tale, so do we trust a picture to tell its tale through the medium the
artist gave it."
The
poet
Robert Browning said that we
really learn to see things when we see them painted, "things we
have passed perhaps a hundred times nor cared to see." The
following procedure is not the only way to approach art
appreciation, but practiced regularly, it can give children a
lasting memory of pictures and reinforce their habit of observation.
- This lesson
should take 20 to 30
minutes.
- Prior
to studying a specific
picture, the child should have read a story or information on the life
of the artist, when he lived, where he should be placed on the timeline
of history, and the general subject or type of his pictures.
- Tell
the child about the actual
size of the original work, perhaps by demonstrating the dimensions on
the wall. If ever you are able to see a work in person, by all means
do!
- It's
important that each child have
his own print of the work to be studied. There are various ways
to obtain prints.
- Introduce
the title of the picture.
- Have
the child look at the picture
and study it silently for several minutes.
- Ask
for first impressions and major
parts first. Direct the child to look closely at foreground,
background, details, color; feeling of movement, and so on.
- Have
the child look
silently at the picture again for one minute. Suggest that they
shut their eyes. Ask if they can they see a complete colored picture in
their mind. If not, they should have another look.
- Turn
the picture face down and have
the child describe it in as much detail as possible. If the
lesson is being done with multiple children, have them each listen
carefully to one another and describe in turn but not repeat what has
already been said. (Don't worry if these descriptions [narrations] are
vague and short at first, with practice they will become vivid,
detailed descriptions).
- Turn
over picture and look again to
see if any parts have been left out or if any details are not clear in
the mind.
- Finally,
have a last silent look at
the picture. There should now be a photograph of this picture in the
mind that stays for life.
Charlotte
Mason References:
Philosophy
of Teaching:
pp. 213 -217 (Philosophy of
Education)
pp. 102-103, Book II (Ourselves)
Example
of Picture Study Lesson:
pp. 309-311 (Home Education)
pp. 353-355 (School Education)
Links
Local Galleries
Nothing beats seeing
real paintings, so make sure you make the most of any opportunity to do
so. Check out your local
art gallery for both permanent collections and visiting exhibitions and
adapt your picture study accordingly. Feel free to study different
artists, to change the order of study, or just to add in extra pictures
that you will have a chance to see.
|
|
|
|
Term 1: Pierre-Auguste
Renoir (1841-1919)
Term 2: Edgar Degas (1834-1917)
Recommended
Reading - choose from:
What Makes a Degas a
Degas?
by
Richard Muhlberger
Edgar Degas: Dance Like a
Butterfly by Angela Wenzel
Edgar Degas by
Mike Venezia
Degas by
Andrew Forge and Robert Gordon (adult level book)
Note:
Degas also painted prostitutes and other
paintings showing the ugly side of life in detail which are usually
included in books for adults and may also be found in books for
children. Please preview any books on Degas for suitability before
giving them to your children.
Links
Suggested
Pictures (make
substitutions as needed or preferred)
The Dance Lesson
Before the Ballet
Dancers in the Rehearsal Room with a Double Bass
Ballet Rehearsal
The Dance Class
Dancers Backstage
|
Term 3: Claude Monet
(1840-1926)
Recommended
Reading - choose from:
Linnea in Monet's
Garden by
Cristina
Bjork
What Makes a Monet a Monet?
by Richard Muhlberger
Claude Monet: the Magician
of Colour by Stephan Koja and Katya Miksovsky
Claude Monet by
Mike Venezia
Links
Suggested Pictures
(make substitutions as
needed or preferred)
Lady with a Parasol
(1875)
*Gare Saint-Lazare
*Rouen Cathedral, or *Houses of Parliament, London
Poplars on the Banks of the Epte (1891)
The Japanese Bridge (1899)
*Waterlilies
* Monet often painted pictures in series, studying the same subject in
different lights. Choose any picture with this subject, and if possible
compare it to at least one other in the series.
|
Option B -
Post-Impressionists
|
Term
1: Paul Cézanne
(1839-1906)
Recommended
Reading
Links
Suggested
Pictures (make
substitutions as needed or preferred)
The Artist's Father
(1866)
House of Pere Lacroix (1873)
Flowers in a Rococo Vase (1876)
Houses in Provence (c.1880)
Still Life (c.1900)
Still Life with a Peppermint Bottle (c.1894)
|
Term 2: Vincent Van Gogh (1853-1890)
Recommended
Reading
What Makes a Van
Gogh a Van
Gogh
Visiting Vincent Van Gogh
Vincent Van Gogh by Mike
Venezia
Links
Suggested
Pictures (make
substitutions as needed or preferred)
The Potato Eaters
(1885)
Twelve Sunflowers in a Vase (1888)
The Bridge at Langlois near Arles (1888)
Van Gogh's Bedroom in Arles (1889)
The Starry Night (1889)
Lane with Cypresses under Starry Sky (1890)
Note: You may also want to look at Van Gogh's Self
Portrait.
|
Term 3: Henri Rousseau (1844-1910)
and Georges Seurat (1859-1891)
Recommended
Reading
Georges Seurat by
Mike Venezia
Henri Rousseau: a
Jungle
Expedition
by Susanne Pfleger
Links
Suggested
Pictures (make
substitutions as needed or preferred)
Seurat
Bathers at Asnières (1883-4)
A Sunday Afternoon on the Island of La Grande Jatte (1886)
The Seine at La Grande Jatte (1888)
The Circus (1890-91)
Rousseau
Tiger in a Tropical Storm
(Surprised!) (1891)
Boy on the Rocks (1895-97)
|
|
|
|